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During the early nineteenth century, schools for the deaf appeared in the United States for the first time. These schools were committed to the use of the sign language to educate deaf students. Manual education made the growth of the deaf community possible, for it gathered deaf people together in sizable numbers for the first time in American history. It also fueled the emergence of Deaf culture, as the schools became agents of cultural transformations. Just as the Deaf community began to be recognized as a minority culture, in the 1850's, a powerful movement arose to undo it, namely oral education. Advocates of oral education, deeply influenced by the writings of public school pioneer Horace Mann, argued that deaf students should stop signing and should start speaking in the hope that the Deaf community would be abandoned, and its language and culture would vanish. In this revisionist history, Words Made Flesh explores the educational battles of the nineteenth century from both hearing and deaf points of view. It places the growth of the Deaf community at the heart of the story of deaf education and explains how the unexpected emergence of Deafness provoked the pedagogical battles that dominated the field of deaf education in the nineteenth century, and still reverberate today.
Deaf --- Deaf culture --- Deaf-mutes --- Deaf people --- Deafness --- Hearing impaired --- Deafblind people --- Deaf subculture --- Subculture --- Social conditions --- History --- Education --- Patients --- Deaf culture. --- Education. --- Social conditions. --- 1800-1899. --- United States.
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The postwar histories of Paris and Amsterdam have been significantly defined by the notion of the "underground" as both a material and metaphorical space. Examining the underground traffic between the two cities, this book interrogates the countercultural histories of Paris and Amsterdam in the mid to late-twentieth century. Shuttling between Paris and Amsterdam, as well as between postwar avant-gardism and twenty-first century global urbanism, this interdisciplinary book seeks to create a mirroring effect over the notion of the underground as a driving force in the making of the contemporary European city.
Counterculture -- France -- Paris. --- Counterculture -- Netherlands -- Amsterdam. --- Anthropology --- Social Sciences --- Social & Cultural Anthropology --- Counterculture --- Counter culture --- Countercultures --- Culture --- Hippies --- Subculture
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Apartándose de enfoques que consideran las culturas juveniles como ‘desviaciones sociales', ‘tribus urbanas' o ‘nuevos movimientos políticos', Secretos de mutantes bucea en culturas juveniles urbanas como la Skinhead, el Punk, el Metal, el Hardcore, el Grunge y el Hip Hop, explorándolas desde un punto de vista inédito: su dimensión de creación, para percibir los cruciales y casi desconocidos procesos que sus miembros llevan a cabo en estos vastos universos de experimentación. Esta obra se nutre de acercamientos de diverso tipo a estas culturas laberínticas marcadas por sus sofisticadas actividades creativas, su articulación alrededor de la música, sus constantes ramificaciones y mutaciones y sobre todo, por sus complejas formas de actuación en las sociedades contemporáneas. Se trata de un texto polifónico en el que confluyen páginas web de las culturas, fragmentos de textos académicos pioneros, noticias, himnos, canciones e intervenciones de cronistas y personajes fundadores, de artistas, participantes y disidentes de las culturas juveniles mencionadas. Constituye una invitación al lector para abrirse a nuevas conexiones a la percepción de acontecimientos microscópicos... para comenzar a experimentar sus propias prácticas de libertad.
Punk rock music --- Punk culture. --- Social aspects --- Subculture --- Cyberpunk culture --- Alternative rock music --- Punk culture --- rock --- música
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In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy.
Underground music --- Subculture. --- Social aspects. --- Political aspects. --- History and criticism. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Music
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En France, les rave-parties - ces fêtes techno souvent clandestines qui ont défrayé la chronique au long des années 2000 - sont dans le collimateur des autorités. De fait, si les raves ont longtemps constitué un espace de liberté, les institutions ont vite tenté de les réprimer et/ou de les encadrer, et plutôt avec succès. Cette musique et ces regroupements a priori apolitiques ont été considérés essentiellement sous l’angle de l’ordre public ; autrement dit, les fêtes techno « non commerciales », qui auraient pu relever des compétences du ministère de la Culture, sont aujourd’hui principalement gérées par le ministère de l’Intérieur. Pourtant, les conflits de normes demeurent nombreux parmi les acteurs publics qui encadrent les raves. Ils hésitent entre une gestion policière et une gestion sanitaire de ces manifestations avant tout festives, mais où la présence de drogues constitue un élément de cristallisation des inquiétudes. Tout l’enjeu de cet ouvrage, tiré d’une enquête de terrain, est de comprendre les mécanismes de transformation de la fête techno en problème public et d’en analyser la gestion par les autorités politiques.
Raves (Parties) --- Rave culture --- Political aspects --- Social aspects --- History. --- Sociology of rave-parties --- France --- Acid House culture --- Subculture --- Rave-ups (Parties) --- Parties
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Modemacher*innen, Designer*innen, Influencer*innen, Medien, Subkulturen - noch immer wird die Verantwortung für den modischen Wandel bei zentralen Schlüsselfiguren gesucht. Doch die Gatekeeper*innen der Vergangenheit haben viel von ihrer Definitionsmacht verloren. Was also treibt Moden gegenwärtig voran? Die Initiative scheint auf eine große Zahl Einzelner übergegangen, deren Vielfalt vestimentäre Kulturen hervorbringt, die sich als räumliche Modenetze und zeitliche Modeschwärme beschreiben lassen. Anna Kamneva-Wortmann bietet eine neue Perspektive auf die modische Demokratisierung und behauptet: Kleidermoden entstehen und verschwinden heute »bottom-up«.
SOCIAL SCIENCE / Media Studies. --- Cultural Studies. --- Cultural Theory. --- Culture. --- Design. --- Digital Age. --- Fashion Network. --- Fashion Studies. --- Fashion Swarm. --- Media Theory. --- Media. --- Subculture.
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"In 2008, JH Phrydas wrote a story about how bodies talk without words. He wanted the story to not just describe the silent ritual of nonverbal communication but to perform it. The interaction would be visceral - the exchange melancholic, yet full of lust. He wanted words to retain the unsayable: the subtle movements of a body in heat. In the years since, Phrydas kept rewriting this story, using different techniques, different syntaxes and forms, in hopes that he would find a successful method of gestural writing. Imperial Physique is a collection of these attempts. They explore the way our bodies hover between animal and human, civil and wild. The bleakness - and underlying verve - of imagining Western empires in decline serve as a backdrop for a lone figure searching city streets, decaying architecture, and sand dunes for some type of physical connection. What arises is the loss of - and longing for - touch at the edges of imperialism, historical violence, and personal shame"--
Of specific Gay interest --- Gay studies (Gay men) --- Queer studies. --- Gay culture. --- Sexuality --- Fiction. --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexology --- Gay subculture --- Lavender culture --- Subculture --- Sex --- Erotic stories --- queer studies --- LGBT studies --- cruising --- writing --- desire --- sexuality --- theory fiction
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Was macht jemanden oder etwas queer? Welche Veränderungen hat Queerness angestoßen? Und gibt es queer überhaupt noch? Queere Kulturen sind lebendige Bestandteile von sich stetig transformierenden Gesellschaften des 21. Jahrhunderts. Kategorien wie Wohlstand, Erfolg und Amüsement, aber auch Sexualität und Schönheit haben innerhalb queerer Subkulturen eine starke Veränderung erfahren und gleichsam so manche Lebensrealität einer allgemeinen Öffentlichkeit beeinflusst. Martin J. Gössl arbeitet heraus, wie die Verstrickungen in heteronormative Systeme und kapitalistische Ordnungen einen queeren Standpunkt zunehmend in Bedrängnis bringen.
Queer; Queerness; Gender Studies; LGBTIQ; Moderne Gesellschaften; Kultur; Subkultur; Lebensstil; Kapitalismus; Heteronormativität; Öffentlichkeit; Geschlecht; Gesellschaft; Soziale Ungleichheit; Queer Theory; Lgbtiq; Modern Societies; Culture; Subculture; Lifestyle; Capitalism; Heteronormativity; Public Sphere; Gender; Society; Social Inequality --- Capitalism. --- Culture. --- Gender Studies. --- Gender. --- Heteronormativity. --- Lgbtiq. --- Lifestyle. --- Modern Societies. --- Public Sphere. --- Queer Theory. --- Queerness. --- Social Inequality. --- Society. --- Subculture.
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This book aims at contributing to the scientific and academic discourse as regards to the ‘what’ and ‘why’ of youth ministry. Too often, youth ministry has been approached from a mainly practical point of view, almost asking how we keep young people off the streets. Its methodology has often not included the theological and theoretical presuppositions that lie behind this ministry. Previous scientific reflection has been determined by a one-dimensional and almost exclusive point of view. In comparison with existing literature, this book does not focus so much on the ‘how’ of youth ministry. It innovates a different approach. The book challenges the existing exclusive approach and develops an inclusive, congregational and missional understanding of and approach to youth ministry.From a particular perspective on the understanding the main objectives of Practical Theology, the author endorses the so-called movement of ‘what is supposed to be going on’. He adds the outcome of an empirical round table discussion with some 16 leaders in this field on the descriptive and interpretive movements within the subject field: what is going on and why is it going on? The book will form the standard for any new research with regard to youth ministry. The book’s contribution lies on the level of sound theological reasoning and argumentation (supported by many scholars) for an inclusive congregational understanding of ministry as an integral part of every congregation being missional in being and doing. Youth, children, adolescents and emerging adults, are just as integral a part of every congregation within which they live and serve.
Religion & beliefs --- Religion: general --- Christian ministry & pastoral activity --- Afrikaans --- catechesis --- congregation --- covenantal --- didache --- Osmer --- postmodern Practical Theology --- Trinitarian --- youth subculture --- Senter ed --- paraklesis --- hermeneutic --- Church work with youth --- Youth ministry --- Youth
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This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world.
Heavy metal (Music) --- Music --- History and criticism. --- Social aspects. --- Music and society --- Death metal --- Doom metal --- Fandom --- Grindcore --- Heavy Metal --- Metal --- Metal Studies --- Musicology --- Popular Music --- Progressive metal --- Research --- Subculture
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